Stranded in Italy. Home on a royalty split
Flasyd ran the tour maths wrong and ended the run in Italy with no way back to the States. One investor wrote the cheque for the flight home — and took a share of the next release instead of a favour.
By the numbers
The tour maths went wrong
Every touring artist runs the same spreadsheet: guarantees in, travel and crew out, and a thin margin that only survives if nothing moves. Flasyd’s moved. By the end of the European run the numbers had gone the wrong way, and the band was in Italy with the return leg unfunded.
Nobody funds a flight home
A plane ticket is too small for an advance, too urgent for a grant, and too unglamorous for a label. It is also the exact kind of gap that ends careers quietly.
Too small to bother a label with, and priced in ownership you never get back.
Debt against income that hasn’t happened yet, on an artist’s balance sheet.
Works once. Isn’t a structure, and leaves the investor with nothing.
A meeting, then a term sheet
They met a wealthy investor who wanted to help. On its own that’s a story. On Bushido it became a deal: the flight home priced as an investment in Not Attached, the next release — not a handout, and not a debt.
The deal that bought the ticket
First tranche covered the flight home; the balance funds studio, mixing, mastering and release of Not Attached.
Tickets are sized to the investor, not the artist — $500 buys 4.5% of the pool, with the service and processing fees shown before checkout. Flasyd keeps the master, the majority royalty split and the sync rights.
Listed from the road
The track streams on the page, so the investor hears exactly what they’re backing before the maths appears underneath it.

Flight booked. Round still open.
What the flight is worth
Illustrative returns on the full 30% share if the round closes at $11,000.
Illustrative only. Not a forecast, guarantee, or offer. Actual royalties depend on release performance, DSP rates and sync demand.
In their words
“We didn’t need rescuing. We needed someone to be able to buy in.”
Flasyd
Bushido makes the small, urgent money investable — so a tour problem becomes a funded release instead of the end of the run.
Fund your next release